Sculpture
the back and forth (capable of assuming one state or another). 2017.
detail, the back and forth (capable of assuming one state or another). 2017.
detail, the back and forth (capable of assuming one state or another). 2017.
appearing in green #1-5. 2015.
small noticing, #16-1541. 2014.
at 10am the day before. 2017
five compositions (emerald, saffron, orchid, navy & gold, royal). 2015.
small noticing, #12-0453. 2014.
Noticing #18-4148. 2014.
Constructures
Collaboration with jeweler Maria Eife for InterChange Exhibit curated by Maia Leppo and Natalie Sweet, January 2020.
Through the Between
New works by Roberta Massuch. The Clay Studio Harrison Gallery, Philadelphia. January 2017.
Photos by Louise O’Rourke Photography
three steps to the between. 2017.
it takes time. 2017.
detail, it takes time. 2017.
two steps to the between. 2017.
two steps to the between (foreground) dark white (my loss, your loss), (background). 2017.
through the between. 2017.
Gallery view of exhibition, Through the Between. 2017.
Gallery view of exhibition, Through the Between. 2017.
intervallum. 2017. Bird's eye view: 3 hollow concrete tables, each holding two framed and illuminated stacks of vellum with graphite drawing on each layer.
intervallum, detail - v. 1 & v.2
intervallum, detail - v. 3 & v.4
intervallum, detail - v. 5 & v.6
stillNoticing
MFA Thesis Exhibition, Glassell Gallery, Louisiana State University, April 2013.
Photos by Kelly Tate
Noticing, #1655. 2013.
Noticing, #1935. 2013.
Noticing, #1788. 2013.
Installation view of Noticing, #1788 (foreground) and Noticing, #1935 (background).
stillNoticing, view of gallery.
stillNoticing, view of gallery.
stillNoticing, #1795. 2013.
Noticings, #102 shifting to #165. 2013.
Installation view of Noticing #185-2S (L) and Noticing, #1235 (R).
Noticing, #1235. 2013.
Noticing #116. 2013.
Nine noticings of #179. 2013.
detail, Nine noticings or #179. 2013.